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Phantom Architecture

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PHANTOM ARCHITECTURE OF THE AMERICAN SOUTHWEST: ONLY THE SIGNS REMAIN

Now I know why they call Main Street a drag
– Jeremy Gluck, Sorrow Drive

CIVILISATIONS ARE JUDGED by what they leave behind. Sometime around the beginning of the automobile age – that period in the post-war years when car ownership became not merely affordable but essential – it was determined that there existed a proportional relationship between the speed of travel and the size a sign needed to be in order to convey its information to the traveller. Simply put, as roads grew wider and faster, the signs grew larger.

Jesse Simon
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PHANTOM ARCHITECTURE OF SOUTHERN CALIFORNIA: GHOSTS OF THE NATIONAL TRAIL

THE STRETCH OF road between Goffs and Amboy, California, has been around for over a hundred years, and in that time it has been known by many names. It initially formed a part of the National Old Trails Road, a primitive, mostly unpaved cross-country route that predated the establishment of the US highway system. In the late 1920s it was incorporated into Route 66 and under this designation it served for decades as the main thoroughfare through the Mojave desert.

Jesse Simon
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PHANTOM ARCHITECTURE OF PALM SPRINGS: THE CANYON HOTEL

Phantom Architecture is a series focusing on vanished buildings, both in Berlin and further afield. In this special Palm Springs edition, guest contributor Jesse Simon chronicles the vanished buildings of Palm Springs, the Southern California vacation/retirement enclave that, despite its wealth, must occasionally give a structure back to the surrounding desert.

AT FIRST I didn’t realise the hotel was abandoned. It caught my eye while I was driving down South Palm Canyon, just another example of desert modernism. I decided to stop for a few pictures. It was only after I got out of the car that I realised there were chains across the driveway, and thick curtains covering the floor to ceiling windows of the main lobby. 

Jesse Simon
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PHANTOM ARCHITECTURE: THE GHOST THEATERS OF TURMSTRAßE

Phantom Architecture is a series focusing on vanished buildings, both in Berlin and further afield.

Like so many Berlin locations, the corner of Turmstraße and Stromstraße in Moabit saw multiple buildings rise and fall over not centuries, but decades. The first, the Ufa-Palast, was built in 1925 by the state-sponsored Universum Films AG. Designed by the architect Fritz Wilms (who specialized in theaters), it was a massive, 1700-seat cinema, complete with a classical, columned facade, a lavish foyer with its own phone booth, and a restaurant (the somewhat alarmingly named Café Vaterland) in a separate building just east of the theater.

John Peck
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PHANTOM ARCHITECTURE: THE ORANGE MONSTER OF HANSAVIERTEL

Among the many buildings currently or formerly owned by Berlin’s Technische Universität (TU) are several colorful curiosities, including the Schiffbau, which rises above the Landwehrkanal at the Tiergarten’s western edge (and had a brief cameo in the cult film The Appleand the 60s-era megaliths surrounding Ernst-Reuter-Platz, spanning blocks apiece and often covered in monochrome metal siding. For decades, a lesser-known (but equally colorful) structure sat somewhat north of the campus’ gravitational center, at the far northern end of Englische Strasse on the banks of the Spree.

TU sold the eponymously-named 20 Englische Strasse to the Irish investment group Cannon Kirk, who announced its demolition to make way for a housing development called Englische Gärten. After the sale, though, it sat empty for several years, and was eventually occupied by activists in late 2015, who demanded it be used to house the increasing numbers of homeless refugees in Berlin (article here, in German). On September 10th, police evicted all protesters, and soon after, demolition of the building began in earnest. 

John Peck
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