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Brutalism

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PHOTO GALLERY: LES CHOUX DE CRÉTEIL

Les Choux de Créteil (“The Cabbages of Créteil”) is a grouping of fifteen of housing towers in the Paris suburb of Créteil. The buildings, designed by architect Gérard Grandval, were completed in 1974, and remain fully occupied. In recent years, approximately 25% of the project’s overall rooms have been reallocated as student housing.

John Peck
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ARCHITECTURE OF CHECHNYA AND THE NORTH CAUCASUS

THE FIRST GUIDE of its kind, Chechnya and North Caucasus: An Architectural Guidebook explores the diverse architecture of one of the former Soviet Union’s least-explored regions. The seven independent republics and two Russian territories that make up the relatively small North Caucasus region represent an incredible array of languages, cultures, religions, and traditions, and offer a correspondingly broad range of architectural highlights, from modernism and brutalism to traditional and Islamic-inspired hybrids.

John Peck
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BUNKERS IN THE SKY: THE BRUTALIST BERLIN MAP

WE’VE COVERED BLUE Crow Media’s collection of Modernist Maps in the past, including an overview of the series and a look at their remarkable Pyongyang Architecture Map. Their newest addition, the Brutalist Berlin Map, joins London, Paris, Sydney, Boston and Washington in their sub-series on Brutalism, and serves as a fitting companion to 2016’s Modern Berlin Map. This newest map repeats some of the structures from its Modernist counterpart, which is to be expected given the implied Venn diagram that maps the ever-shifting overlap of Brutalism and Modernism: the Mäusebunker, Corbusierhaus, Akademie der Künste, the Czech Embassy, among others. Ultimately, while each map has more than enough unique entries to act as a standalone guide, the combination of the two offers even greater opportunities for exploration, as well as a perfect jumping-off point for further discussion.

John Peck
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HOLIDAYS IN THE SUN: DDR VACATION ARCHITECTURE

Urlaubs(t)räume des Sozialismus, new from Wasmuth & Zohlen, explores the unique architectural history of East Germany’s vacation centers. The book starts by framing the concept of “vacation” in the DDR as being something fundamentally different from what it was in the West: in the latter, vacations were seen as an escape, a chance to “get away” from everyday routines and problems; in the former, they were an integral part of life, built into the yearly rhythm alongside work, school, and sick leave. The idea that regular vacation time was a right of every family was declared with the founding of the DDR in 1949, and throughout its four-decade history, the government created a vast infrastructure designed to bring industrial efficiency and simplicity to the process of planning one’s holidays.

John Peck
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CONCRETE WOUNDS: UKRAINE’S SOVIET ARCHITECTURE

THERE ARE FEW European architectural legacies more fraught than that of Soviet-era structures in the former USSR, and few places where this legacy is more divisive than Ukraine. In the decades since the dissolution of the USSR, Ukraine’s Soviet past – which, even apart from the devastation wrought by the Nazis, includes tragedies such as Stalin’s genocidal holodomor and the Chernobyl disaster – has remained a wound that refuses to heal. More recently, Russia’s 2014 annexation/occupation of Crimea and Donbass further inflamed tensions between Kiev and Moscow, and ensured the debate over the Soviet legacy in Ukraine would be poisoned for years to come.

John Peck
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INTERVIEW: DARMON RICHTER

CHERNOBYL: A STALKER’S GUIDE, new from Darmon Richter and FUEL Publishing, is an impressive hybrid: part travelogue, part memoir, part essay. The book weaves together numerous strands of history, mythology, and ecology that intersect at Chernobyl, ranging from Prometheus as an atomic Marxist saint to pop-cultural references like the Fallout games and HBO’s Chernobyl to mushrooms as a potential solution nuclear waste solution. Richter, who has spent decades exploring and writing about what he calls “ideological architecture” (which often, but by no means always, focuses on Communist-era buildings) does an impressive job of unifying these numerous trajectories, resulting in a highly focused and immensely readable study of a fundamentally misunderstood place.

John Peck
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