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HONG KONG MODERN

FOR STUDENTS AND aficionados of architecture, Hong Kong offers a dizzying array of building types, with starkly different styles juxtaposed side-by-side or even within single buildings. While such diversity of architectural typologies is not surprising given Hong Kong’s unique history of competing influences, it is nonetheless unique among world cities in the sheer magnitude at which it has attempted to scale its building projects to an ever-growing population. With the largest of the city’s ubiquitous residential towers housing in excess of 10,000 people, and combined multitower estates holding hundreds of thousands in all, there are few other cities in the world that can match it in terms of sheer verticality and density.

John Peck
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ArchitectureBooks
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TOUCH WOOD: LIVES AND AFTERLIVES OF TREES

AS THE CURRENT century plays out and the need for sustainability in architecture becomes more urgent, it is increasingly important to take the full life cycles of buildings into account. It is not enough for a building’s post-construction existence to meet base levels of energy efficiency; the materials and processes used to build it, as well as the source of those materials, must be sustainable as well. As resources go, wood is unrivaled its potential to either dramatically raise or drastically lower the carbon footprint of buildings, both before and after they are completed.

John Peck
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ArchitectureArt
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RETROTOPIA: DESIGN FOR SOCIALIST SPACES

Now open at Berlin’s Kunstgewerbemuseum, Retrotopia: Design for Socialist Spaces is “a collaborative exhibition project that looks at the role and influence of design in the countries of the former Eastern Bloc and former Yugoslavia between the 1950s and the 1980s.” The exhibit features photographs, objects, and recreations of designed spaces from throughout the Soviet bloc, and includes many designs that never made it past the concepting and drafting phases.

John Peck
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ArchitectureArt
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INFERNAL DOMESTIC: HR GIGER BY CAMILLE VIVIER

HR Giger (1940–2014) is best known for the nightmarish creatures and environments of 1979’s Alien, and more broadly for his transgressive (yet deeply stylized and stylish) paintings on broadly “biomechanical” themes. Much of Giger’s work, which in addition to the paintings and drawings for which he was best known included sculpture, industrial art, and even furniture, was created in his Zurich home studio, which he transformed over the decades into a real-world embodiment of his aesthetic.

John Peck
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ArtAsia
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OHRAI NORIYOSHI: GREEN UNIVERSE

Noriyoshi Ohrai (1935-2015) was a Japanese poster artist and illustrator known for his vivid work that elevated mainstream sci-fi and action tropes into hallucinatory, richly detailed compositions. In addition to his well-known posters for Star Wars and Godzilla, he created promotional artwork for thousands of films from Japan and around the world.

John Peck
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ArchitectureBooks
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INVENTING GREENLAND

WITH A TOTAL population of 56,000 spread across a landmass twice the size of all other Nordic countries combined, Greenland’s overall density hovers at just over zero. The precursors to Greenland’s modern-day inhabitants were settlers both indigenous and European, dating back millennia and including the Saqqaq, Independence I-II, and Dorset cultures, as well as the Greenlandic Vikings who settled in the far south in 982 (led by Erik the Red). All these prior cultures and settlements, however, disappeared, leaving only archaeological records.

John Peck
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AbandonedArchitecture
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PHOTO GALLERY: GROßER HEINEBERG

The Großer Heineberg is a 56-meter hill in Potsdam-Bornim (peak at 52.435010, 12.988588, map below). After WWII it was used as a dump for building materials, and while the vegetation has generally made a comeback the soil is still filled with pieces of brick, tile, and glass, with larger piles of rubble appearing frequently.

John Peck
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