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TREASURE HUNTING IN THE CONCRETE JUNGLE

BLUE CROW MEDIA IS a London-based publisher of maps, specializing in modernist and brutalist architecture worldwide. The maps are beautifully designed in a classic-modernist aesthetic, and take particular care in their choice of typefaces. The latter point is especially evident in the numerous bilingual maps, many of which use non-Latin scripts including Cyrillic, Georgian, and Hangul. In these maps, both languages get equal space in the layout, sending a clear message that they are intended for locals as well as tourists.

John Peck
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ANTON’S BERLIN: ANGELS UNDERGROUND

FOR ACCLAIMED FASHION photographer Kristian Schuller, his recent return to Berlin is a homecoming in the truest sense. Born in Halchiu, Romania, Schuller emigrated to Berlin with his parents as a child, where his university years at UdK saw him studying fashion design with Vivienne Westwood and photography with F.C. Gundlach. From there an international trajectory of increasing recognition took him from London to Paris to New York, where he became one of the fashion world’s most sought-after photographers, shooting international celebrities for some of the world’s biggest style magazines.

John Peck
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STATISTA: TOWARDS A STATECRAFT OF THE FUTURE

IMMEDIATELY UPON ITS completion in 1970, Berlin’s Haus der Statistik (which stood north of Alexanderplatz in the shadow of the just-built Fernsehturm) took its place as one of the central organs of the GDR state apparatus. With the collection of data and statistics for all of East Germany as its goal, the eleven-story complex housed numerous bureaucratic units, including several floors of Stasi offices. Its street-level businesses were the ultimate in urbane GDR style, hosting two lounges (Jagdklause and the fabulously named Mocca-Eck), a hunting/fishing shop, and Natascha, a boutique offering the latest Soviet imports.

John Peck
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EAST GERMAN MODERN

DURING ITS FOUR-plus decades of existence, the GDR was a unique geopolitical paradox. Its place at the heart of the Cold War conflict belied the simple, day-to-day lives of the vast majority of its citizens. This paradox manifests itself visibly in the architecture of the former GDR, where often-cosmic abstract and geometric tendencies exist alongside the drab and mundane.

John Peck
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PHOTO GALLERY: RÜMMLER’S U7

THE U7 IN its current form was largely a product of Cold War-era West Berlin, and is arguably the most “West Berlin” of all U-Bahn lines. Despite being Berlin’s longest U-Bahn line (as well as one of the longest underground urban rail lines in all of Europe at 31.8 kilometers), every single one of its stations, from Rudow in the southeast to Rathaus Spandau in the northwest, falls within the borders of the former West Berlin.

John Peck
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PHOTO GALLERY: SIEMENSSTADT ABANDONED STATION

THE SIEMENSBAHN WAS a short, “spur”-style urban railroad that served Berlin’s northwestern district of Siemsstadt from 1929 until 1980. Consisting of only three stations, it originated at Jungfernheide (a still-active station on the present-day Ringbahn), crossing the Spree and passing through the Wernerwerk and Siemensstadt stations before ending at Gartenfeld.

John Peck
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