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ANTARCTIC RESOLUTION: DOCUMENTING A THAWING WORLD

Antarctic Resolution, a monumental new “1000 page study of Antarctica’s architectural, historical, ecological and climatic peculiarities” from Lars Müller Publishers, traces the history of the southernmost continent from the early “Heroic Age” explorers up through the present. The book sets out to map the world’s least-known continent in numerous ways: cartographically, to be sure, but also chronologically (in both human and geological scales) and sociologically. Via dozens of essays and hundreds of maps and photos, the book creates a multidimensional model of Antarctica, with contributions from a diverse group of experts in science, history, ecology, architecture, and even art and literature. The essays are grouped into thematic chapters with unusually vivid and evocative names for a science-focused book (“Antarctic Pie”, “Twenty-Six Quadrillion Tons of Ice”, “The Ideological Use of Relics”), which serve more as prompts for creative thought than strictly organizational designations.

John Peck
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ARCHITECTURAL GUIDE JAPAN

HISTORY, WHETHER THROUGH its presence or its absence, informs the architecture of modern Japan to a much greater degree than it does in many other countries. One one hand, the country’s millennia-long political, religious, and artistic history permeates its architectural culture to a tremendous degree, serving as an endless wellspring of inspiration and guidance for successive generations of architects and designers. On the other, Japanese architecture since 1868 (the beginning of the Meiji era that defines “modern” Japan) and especially since WWII has countless examples of structures that eschew homegrown traditions in favor of European and global styles, with some architects pursuing a specifically futurist and ahistorical aesthetic. The unprecedented building boom of the postwar period saw Japan emerge as a relentlessly forward-looking and technology-oriented society, with emerging megacities expanding at a breakneck pace.

John Peck
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OLD IS NEW: ARCHITECTURAL WORKS BY NEW MATERIAL RESEARCH LABORATORY

The architectural firm Shinsoken (“New Material Research Laboratory”), founded in 2008 by artist Hiroshi Sugimoto and architect Tomoyuki Sakakida, takes as its mission statement the paradox inherent in its name:

Notwithstanding its name, New Material Research Laboratory examines materials from ancient and medieval times and focuses its activities on reinterpreting and reimagining the use of these materials in the present.

Old is New, from Lars Müller Publishers, documents the studio’s impressive body of work from the past 13 years. In texts arranged geometrically alongside a generous spread of interior and exterior photos, the studio’s founders discuss their approach to architecture and design, giving particular attention to the use of old (or even ancient) materials and traditional techniques.

John Peck
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ARCHITECTURE OF CHECHNYA AND THE NORTH CAUCASUS

THE FIRST GUIDE of its kind, Chechnya and North Caucasus: An Architectural Guidebook explores the diverse architecture of one of the former Soviet Union’s least-explored regions. The seven independent republics and two Russian territories that make up the relatively small North Caucasus region represent an incredible array of languages, cultures, religions, and traditions, and offer a correspondingly broad range of architectural highlights, from modernism and brutalism to traditional and Islamic-inspired hybrids.

John Peck
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WERNER DÜTTMANN: MAKING BERLIN MODERN

MODERNIST ARCHITECTURE IN Berlin is, understandably, a subject heavy with the weight of history. The decades spent rebuilding from the devastation of WWII while split down the middle by two hostile powers meant that, for many building projects, aesthetics played a distant secondary role to functionality. Nonetheless, the severely limited building resources of both East and West did not stop the proliferation of bold, elegant Modernist constructions on both sides of the Wall. With entire neighborhoods in ruins and a postwar population in desperate need of housing and infrastructure, the buildings would be build regardless; the question for posterity was who could transcend the limited resources provided and make a lasting aesthetic impression on the cityscape.

John Peck
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DREAMING IN CONCRETE: CODY ELLINGHAM’S “DANCHI DREAMS”

ORIGINALLY FROM NEW Zealand, photographer Cody Ellingham traveled to Tokyo on a scholarship in 2012. He ended up staying for six years, and while exploring the country’s staggeringly vivid and varied cityscapes he began photographing danchi, the massive public housing projects built in the aftermath of WWII. Like many such postwar projects in both the Soviet bloc and Western Europe, danchi took a core utopian vision and expanded it into vast, blocks-long megastructures capable of housing thousands. And, as is also often the case with utopian architecture, the decades since have not always been kind to the buildings themselves and those who depend on them.

John Peck
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