Like Kandinsky before him, Kasimir Malevich arrived at the Bauhaus already wielding an impressive international reputation. His trip to Germany in the spring of 1927 saw him visit both Dessau and Berlin; while in the former he met with Gropius and was able to arrange for the publication of what would be the eleventh book in the Bauhausbücher series: The Non-objective World (Die gegenstandslose Welt).