WHEN IT COMES to truly iconic touchstones of fantasy and sci-fi, Dungeons and Dragons is in a plane of its own. After four-plus decades of existence, the cultural significance of its universe is rivaled by only a small handful of other heavy hitters like Lord of the Rings and Star Wars. Its early design and aesthetics borrowed liberally from Robert E. Howard’s Conan series, pulp novels and comics, and of course Tolkien, but its DNA – its “source code” – were the rigorous rulesets of the strategic wargaming community, which preceded it by decades.Read More
BEN CATMULL IS an Oakland artist who works in various combinations of ink, watercolor, and scratchboard. He is currently branching out into metal plate intaglio printmaking and combining handmade miniatures with filmmaking (no, not stop motion). His letterpress prints (including the moth image below) started as simple pen-and-ink drawings and were printed by Volta press.
Ben's published works are Ghosts and Ruins (2013) and Monster Parade (2006), both from Fantagraphics, and Paper Theater (2001, Xeric Grant). Physical copies of Monster Parade are sold out, but it can be read online here.Read More