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Brutalism

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INTERVIEW: DARMON RICHTER

CHERNOBYL: A STALKER’S GUIDE, new from Darmon Richter and FUEL Publishing, is an impressive hybrid: part travelogue, part memoir, part essay. The book weaves together numerous strands of history, mythology, and ecology that intersect at Chernobyl, ranging from Prometheus as an atomic Marxist saint to pop-cultural references like the Fallout games and HBO’s Chernobyl to mushrooms as a potential solution nuclear waste solution. Richter, who has spent decades exploring and writing about what he calls “ideological architecture” (which often, but by no means always, focuses on Communist-era buildings) does an impressive job of unifying these numerous trajectories, resulting in a highly focused and immensely readable study of a fundamentally misunderstood place.

John Peck
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PYONGYANG ARCHITECTURE MAP

EVEN IN YEARS without worldwide pandemics, visiting Pyongyang is exceedingly difficult, if not impossible, for most of the world’s population. But it could be argued that the Pyongyang Architectural Map, the newest such guide from the UK’s Blue Crow Media, is the perfect map for 2020: with travel being such a fraught prospect for the foreseeable future, the role of travel literature (including physical maps) has shifted from supplementing actual journeys to partially or fully supplanting them.

John Peck
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ANOTHER ROADSIDE ATTRACTION: SOVIET SIGNS AND STREET RELICS

IN THE MONTHS and years following the collapse of the Soviet Union, countless Communist-era monuments and statues have been toppled, dynamited, or otherwise destroyed. The process continues today, and is particularly accelerated in former Soviet states such as Ukraine, where clashes between pro-Russian activists and Ukranian nationalists often center around (literal) concrete representations of the country’s former occupier.

John Peck
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CONCRETE SIBERIA

THE POZNAŃ-BASED publisher Zupagrafika documents Brutalist, prefab, and other concrete structures throughout Europe, focusing on their minimalist patterns and colorful flourishes. Their newest volume, Concrete Siberia, is a companion to last year’s Eastern Blocks (see our review here), focusing on Russia’s vast far north.

John Peck
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EAST GERMAN MODERN

DURING ITS FOUR-plus decades of existence, the GDR was a unique geopolitical paradox. Its place at the heart of the Cold War conflict belied the simple, day-to-day lives of the vast majority of its citizens. This paradox manifests itself visibly in the architecture of the former GDR, where often-cosmic abstract and geometric tendencies exist alongside the drab and mundane.

John Peck
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SOVIET ASIA

TOWERING CONCRETE SCULPTURES inlaid with bright tiles, Brutalist housing blocks adorned with intricate patterns: the structures of post-Soviet Central Asia are a study in east-west contrasts, and include some of the stranger relics of the Cold War era.

John Peck
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EASTERN BLOCKS: CONCRETE LANDSCAPES OF THE FORMER EASTERN BLOC

BRUTALIST ARCHITECTURE IS experiencing something of a renaissance – or at the very least, a zombified second coming. With the opening of formerly sequestered countries in the Eastern Bloc and the ease of taking and sharing digital photos, hulking tower flats and concrete curiosities have emerged from behind the Iron Curtain. In the words of the authors, “The Iron Curtain was understood in the West as The Concrete Curtain. Everything behind it was perceived as mass produced and grey.”

John Peck
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